The film-maker has a specific argument or message to deliver about the social world and employs realist conventions to express this message or argument Unknown actors – this helps the audience focus on the characters rather than be influenced by a famous actor’s stereotype. Hand held camera – making the audience feel that they are part of the action Settings – often on location in urban housing estates. Lighting – attempts to reproduce naturalistic lighting It grew out of the state sponsored Documentary movement of the 1930s and 1940s, and one of the distinctive generic conventions is a documentary style of filming, including: Social Realism is often regarded as Britain’s richest gift to world cinema. Look Back in Anger, A Taste Of Honey, Saturday Night and Sunday Morning, The Loneliness of the Long Distance Runner, This Sporting Life, Billy Liar, Cathy Come Home, Up The Junction and Room At The Top, Amongst the many films that emerged during the new wave of social realism, there are dozens of stunning examples that continue being championed to this day. ![]() The Social Realism Genre was born in the 1960s in an era called British New Wave. ![]() Typically, films within the social realist canon are gritty, urban dramas about the struggle to survive the daily grind. The stories and people portrayed are everyday characters, usually from working class backgrounds. ![]() ![]() Social Realism in films is representative of real life, with all its difficulties. Sweet Sixteen conforms to the BRITISH CONTEMPORARY SOCIAL REALISM Genre.
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